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Best-selling author diagnosed with "aggressive" brain cancer

<p>Best-selling author Sophie Kinsella has shared that she has been fighting "aggressive" brain cancer since the end of 2022. </p> <p>The British writer took to Instagram to reveal she was diagnosed with glioblastoma 18 months ago, and shared why she chose to keep the devatstsing news out of the spotlight. </p> <p>The 54-year-old said she wanted to "make sure my children were able to hear and process the news in privacy and adapt to our new normal" before going public with her diagnosis. </p> <p>"I have been under the care of the excellent team at University College Hospital in London and have had successful surgery and subsequent radiotherapy and chemotherapy, which is still ongoing," she told her followers on Instagram.</p> <p>"At the moment all is stable and I am feeling generally very well, though I get very tired and my memory is even worse than it was before!"</p> <p>Kinsella said she is "so grateful to my family and close friends who have been an incredible support to me, and to the wonderful doctors and nurses who have treated me."</p> <p>She also thanked her readers for their "constant support", adding how the reception of her latest novel <em>The Burnout</em>, released in October 2023, "really buoyed me up during a difficult time."</p> <p>She ended her statement by saying, "To everyone who is suffering from cancer in any form I send love and best wishes, as well as to those who support them."</p> <p>"It can feel very lonely and scary to have a tough diagnosis, and the support and care of those around you means more than words can say."</p> <p><em>Image credits: Getty Images </em></p>

Caring

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"What a life I’ve had": Author announces own death after years of battling dementia

<p>Wendy Mitchell has died aged 68 after documenting her brave battle with dementia. </p> <p>The author from Walkington, East Yorkshire, became the best-selling writer after she was diagnosed with early onset vascular dementia and Alzheimer's in July 2014. </p> <p>She shared her philosophical outlook on living with the condition in her acclaimed 2018 memoir <em>Somebody I Used To Know </em>and in her 2022 book <em>What I Wish I Knew About Dementia</em>.</p> <p>In an <a href="https://whichmeamitoday.wordpress.com/2024/02/22/my-final-hug-in-a-mug/" target="_blank" rel="noopener">open letter</a> shared online, the author announced her death and revealed that she had refused to eat or drink towards the end of her battle. </p> <p>"If you’re reading this, it means this has probably been posted by my daughters as I’ve sadly died," she began. </p> <p>"Sorry to break the news to you this way, but if I hadn’t, my inbox would eventually have been full of emails asking if I’m OK, which would have been hard for my daughters to answer… </p> <p>"In the end I died simply by deciding not to eat or drink any more," she wrote. </p> <p>She added that the last cup of tea she had, her "final hug in a mug" was "the hardest thing to let go of". </p> <p>"Dementia is a cruel disease that plays tricks on your very existence. I’ve always been a glass half full person, trying to turn the negatives of life around and creating positives, because that’s how I cope." </p> <p>Mitchell said that the language used by doctors can "make or break" how someone copes with dementia, and instead of saying there's "nothing they can do" it is better to tell them they will have to "adapt to a new way of living". </p> <p>"Well I suppose dementia was the ultimate challenge. Yes, dementia is a bummer, but oh what a life I’ve had playing games with this adversary of mine to try and stay one step ahead," she wrote in her final blog post. </p> <p>She also said that she had always been resilient, which has helped her cope with whatever life throws in her way. </p> <p>Mitchell has been an advocate for assisted dying in the UK, and said that "the only legal choice we shouldn’t have in life is when to be born; for everything else, we, as humans, should have a choice; a choice of how we live and a choice of how we die." </p> <p>She added that the way she died was an active choice as she doesn't want "to be an inpatient in a hospital, or a resident in a Care Home," as "it’s just not the place I want to end my years."</p> <p>"My girls have always been the two most important people in my life. I didn’t take this decision lightly, without countless conversations. They were the hardest conversations I’ve ever had to put them through. </p> <p>"This was all MY CHOICE, my decision. So please respect my daughters' privacy, as they didn’t choose the life I chose, of standing up to and speaking out against dementia." </p> <p>She then thanked everyone for their support and left with a touching final message. </p> <p>"So, enjoy this knowing that dementia didn’t play the winning card – I did."</p> <p><em>Images: Daily Mail</em></p> <p> </p>

Caring

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5 authors who hated the film adaptation of their book

<p>Most movies these days are adapted from something – whether it’s a book, a musical, a news story or even another film. However, commercial and critical success doesn’t necessarily guarantee everyone will be happy. Surprisingly, the authors of these 5 movies didn’t think much of the film adaptations of their books.</p> <p><strong>1. <em>Mary Poppins</em></strong></p> <p>Author of <em>Mary Poppins</em> P. L. Travers initially had no problem with her book being turned into a film, until she discovered that Disney had disregarded almost all of her edits. When it was released in 1964, then-65-year-old Travers voiced her disapproval at the animated scenes and the downplaying of Poppins’ stricter side. She reportedly spent most of the film premiere crying, and vowed never to let Disney near another of her books.</p> <p><strong>2. <em>The Shining</em></strong></p> <p>With such a prolific author like Stephen King, there are bound to be a few hits and misses when it comes to film adaptations. After King put his faith in acclaimed director Stanley Kubrick, whom he greatly admired, he found himself extremely disappointed in the final product, which went on to become a horror classic. “Kubrick just couldn't grasp the sheer inhuman evil of The Overlook Hotel,” the author explained. “So he looked, instead, for evil in the characters and made the film into a domestic tragedy with only vaguely supernatural overtones.”</p> <p><strong>3. <em>Forrest Gump</em></strong></p> <p>The 1995 Best Picture winner was a hit with everyone – except author Winston Groom, that is. Angry at the filmmakers for toning down the language and sexual references as well as omitting certain important plot points, Groom got back at Hollywood in the first few lines of the book’s sequel: “Don't never let nobody make a movie of your life's story,” he writes "Whether they get it right or wrong, it don't matter.” Groom sued the producers after failing to receive his promised 3% cut of the profits, and wasn’t mentioned in any of the six Oscar acceptance speeches by the cast and crew.</p> <p><strong>4. <em>A Clockwork Orange</em></strong></p> <p>It’s one thing to hate the film adaptation of your book, but to end up hating the book itself? It seems strange, but that’s exactly what happened to Anthony Burgess. Years after the release of the book and the film, Burgess claimed he regretted writing the book, which he wrote in three weeks and only because he was desperate for money, so was unhappy when it was turned into a film that “seemed to glorify sex and violence.” He adds, “The film made it easy for readers of the book to misunderstand what it was about, and the misunderstanding will pursue me till I die.”</p> <p><strong>5. <em>Willy Wonka and the Chocolate Factory</em></strong></p> <p>One of the most beloved films of all time, the adaptation of <em>Charlie and the Chocolate Factory</em> certainly wasn’t beloved by Roald Dahl. He thought the 1971 film was “crummy” and that Gene Wilder’s portrayal of Willy Wonka was “pretentious” and “bouncy”, claiming director Mel Stuart had “no talent or flair”. For this reason, as long as the rights to his work is in the hands of his family, you’ll never see the book’s sequel, <em>Charlie and the Great Glass Elevator</em>, grace the silver screen.</p> <p><em>Images: Getty</em></p>

Books

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Murder charge levelled at children's book author

<p>Author Kouri Richins wrote a children’s book on grief following the death of her husband in 2022. She is now being charged with his murder.</p> <p>Richins was arrested on May 7 in Utah and is accused of charging documents of poisoning her husband with a lethal dose of fentanyl at their home in Kamas, a small mountain town near Park City.</p> <p>Prosecutors allege Richins called authorities in the middle of the night in March 2022 to report that her husband, Eric Richins, was “cold to the touch”.</p> <p>The mum-of-three told authorities she had made her husband a mixed vodka drink to celebrate him selling a home and then went to soothe one of their children in their bedroom. She later returned and found her husband unresponsive, which prompted her to call 911.</p> <p>A medical examiner later found five times the lethal dosage of fentanyl in his system.</p> <p>Additionally, Richins is facing charges involving the alleged possession of GHB - a narcolepsy drug typically used in recreational settings, including at dance clubs.</p> <p>The charges, which are based on officers’ interactions with Richins that evening and the account of an “unnamed acquaintance” who claimed to have sold her the fentanyl, come two months after Richins appeared on local television to promote Are You With Me, a picture book she wrote to help children cope with the death of a loved one.</p> <p>For a segment called Good Things Utah, Richins referred to her husband’s death as unexpected and explained how it sent her and her three boys spiralling. In terms of children, she said, grieving was about “making sure that their spirit is always alive in your home”.</p> <p>“It’s ... explaining to my kid just because he’s not present here with us physically, doesn’t mean his presence isn’t here with us,” she told the reporters, who commended her for being an amazing mother.</p> <p>Richins’ lawyer, Sky Lazaro, declined to comment on the charges.</p> <p><em>Image credit: Instagram</em></p>

Legal

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Aussie author of "Puberty Blues" dies at 64

<p dir="ltr">Gabrielle Carey, co-author of the iconic novel <em>Puberty Blues</em>, has passed away at 64. </p> <p dir="ltr">The news was reportedly broken by Carey’s old friend and co-writer Kathy Lette, who was the other half of the creative powerhouse that brought<em> Puberty Blues </em>to life. </p> <p dir="ltr">In a post to social media, Lette shared a throwback picture of the pair in their younger years, and wrote, “I’m deeply saddened by the tragic news about my old friend Gabrielle Carey. </p> <p dir="ltr">“I have such happy memories of our teenage years. They were halcyon, heady days full of love, laughter and adventure.</p> <p dir="ltr">“We made some mischief and broke some barriers by writing <em>Puberty Blues</em> – our raw, earthy take on the brutal treatment of young women in the Australian surfing scene which is sadly, still so relevant. </p> <p dir="ltr">“My heartfelt condolences to her family and friends.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">I’m deeply saddened by the tragic news about my old friend Gabrielle Carey. I have such happy memories of our teenage years. They were halcyon, heady days full of love, laughter and adventure. 1/2 🧵 <a href="https://t.co/2wZZiRf1hd">pic.twitter.com/2wZZiRf1hd</a></p> <p>— Kathy Lette (@KathyLette) <a href="https://twitter.com/KathyLette/status/1654136967636959234?ref_src=twsrc%5Etfw">May 4, 2023</a></p></blockquote> <p dir="ltr">The groundbreaking book they penned together,  which went on to be adapted as both a movie and a hit TV series, was a candid - then-controversial - story of two teenage girls growing up in Sydney’s Sutherland Shire. </p> <p dir="ltr">It pushed boundaries, captivated young audiences while tackling themes many did not expect for said target audience, and is regarded by many as being the first Australian teenage novel to be written by teens.</p> <p dir="ltr">From <em>Puberty Blues</em>, Carey went on to publish memoirs and nonfiction works, with another of her books - her 1984 <em>Just Us</em>, which covered her relationship with rapist and prisoner Terry Haley, who she married while he was imprisoned - also made into a telemovie in 1986. </p> <p dir="ltr">No suspicious circumstances surrounded her death, according to <em>The Australian</em>, though the tragic news comes just months after she wrote about her father’s suicide in <em>The Sydney Morning Herald</em>. </p> <p dir="ltr">At the time, Carey had revealed she was afraid of reaching 64, as that was when he too had passed on.</p> <p dir="ltr">“It was only decades later, when my father died from suicide on the very day he turned 64, that I became terrified of that number,” she wrote. “If I have inherited my father’s disposition for depression, did that mean I would also end up in an early grave?</p> <p dir="ltr">Carey’s early passing is one that has hit her friends and her fans hard, with many joining Lette in sharing their grief and their condolences on social media. </p> <p dir="ltr">“Farewell dear Gabrielle. You were a sister in the cause of mental illness, its impact &amp; our children. I’m enriched for having known you,” one supporter wrote. “Thank you.”</p> <p dir="ltr">“Writer - Reader - Intellectual - Joycean (fanatical) - Elizabeth von Arnim devotee - Avid Gardener - Rose Petal Jam Maker - Football Follower - Kayaker - Yogi - Joker - Irrepressible Spirit - Hobbit - Underground Writer - My Friend,” friend and fellow writer Yumna Kassab wrote. “I will always miss you.”</p> <p dir="ltr">“So sorry for your loss,” one fan said in response to Lette’s tweet. “You have no idea how much as a girl growing up in a coastal town with a surfing scene I understood <em>Puberty Blues</em>. I saw it every day. You &amp; Gabrielle laid it all bare &amp; made girls stand up for themselves. Thank you”.</p> <p dir="ltr">“My deepest condolences Kathy,” another offered. “The two of you wrote something so treasured by Gen X girls. It was our ‘how to say no guide’. Our Teen handbook. But it still let us live our lives &amp; learn as we went. RIP Gabrielle Carey.”</p> <p dir="ltr"><em>Images: Facebook</em></p>

News

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Chatbots set their sights on writing romance

<p>Although most would expect artificial intelligence to keep to the science fiction realm, authors are facing mounting fears that they may soon have new competition in publishing, particularly as the sales of romantic fiction continue to skyrocket. </p> <p>And for bestselling author Julia Quinn, best known for writing the <em>Bridgerton </em>novel series, there’s hope that “that’s something that an AI bot can’t quite do.” </p> <p>For one, human inspiration is hard to replicate. Julia’s hit series - which went on to have over 20 million books printed in the United States alone, and inspired one of Netflix’s most-watched shows - came from one specific point: Julia’s idea of a particular duke. </p> <p>“Definitely the character of Simon came first,” Julia told <em>BBC</em> reporter Jill Martin Wrenn. Simon, in the <em>Bridgerton </em>series, is the Duke of Hastings, a “tortured character” with a troubled past.</p> <p>As Julia explained, she realised that Simon needed “to fall in love with somebody who comes from the exact opposite background” in a tale as old as time. </p> <p>And so, Julia came up with the Bridgerton family, who she described as being “the best family ever that you could imagine in that time period”. Meanwhile, Simon is estranged from his own father. </p> <p>Characterisation and unique relationship dynamics - platonic and otherwise - like those between Julia’s beloved characters are some of the key foundations behind any successful story, but particularly in the romance genre, where relationships are the entire driving force. </p> <p>It has long been suggested that the genre can become ‘formulaic’ if not executed well, and it’s this concern that prompts the idea that advancing artificial intelligence may have the capability to generate its own novel. </p> <p>ChatGPT is the primary problem point. The advanced language processing technology was developed by OpenAI and was trained using the likes of internet databases (such as Wikipedia), books, magazines, and the likes. The <em>BBC</em> reported that over 300 billion words were put into it. </p> <p>Because of this massive store of source material, the system can generate its own writing pieces, with the best of the bunch giving the impression that they were put together by a human mind. Across the areas of both fiction and non-fiction, it’s always learning. </p> <p>However, Julia isn’t too worried about her future in fiction just yet. Recalling how she’d checked out some AI romance a while ago, and how she’d found it “terrible”, she shared her belief at the time that there “could never be a good one.” </p> <p>But then the likes of ChatGPT entered the equation, and Julia admitted that “it makes me kind of queasy.” </p> <p>Still, she remains firm in her belief that human art will triumph. As she explained, “so much in fiction is about the writer’s voice, and I’d like to think that’s something that an AI bot can’t quite do.”</p> <p>And as for why romantic fiction itself remains so popular - and perhaps even why it draws the attention of those hoping to profit from AI generated work - she said that it’s about happy endings, noting that “there is something comforting and validating in a type of literature that values happiness as a worthy goal.”</p> <p><em>Images: @bridgertonnetflix / Instagram</em></p>

Books

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Female artists earn less than men. Coming from a diverse cultural background incurs even more of a penalty – but there is good news, too

<p>Artists all over the world, regardless of their gender, earn <a href="https://www.sciencedirect.com/handbook/handbook-of-the-economics-of-art-and-culture">considerably less</a> than professionals in occupations requiring similar levels of education and qualifications. </p> <p>But there’s an additional income penalty for artists who are female. </p> <p>In an analysis of gender differences in the incomes of professional artists in Australia that <a href="https://australiacouncil.gov.au/advocacy-and-research/the-gender-pay-gap-among-australian-artists/">we undertook in 2020</a>, we found the creative incomes of women were 30% less than those of men. </p> <p>This is true even after allowing for differences in such things as hours worked, education and training, time spent in childcare and so on. This income penalty on women artists was greater than the gender pay gap of 16% experienced in the overall Australian workforce at the time.</p> <p><a href="https://theconversation.com/screen-australia-celebrates-its-work-in-gender-equality-but-things-are-far-from-equal-122266">Some sectors</a> of the arts have tried to redress this problem. However, women continue to suffer serious and unexplained gender-based discrimination in the artistic workplace.</p> <p>Cultural differences are <a href="https://www.nber.org/papers/w27725">also known</a> to influence pay gaps in many countries. </p> <p>In new research <a href="https://australiacouncil.gov.au/advocacy-and-research/culture-and-the-gender-pay-gap-for-australian-artists">out today</a>, we considered whether cultural factors might also affect the gender pay gap of artists in Australia. In addition, we analysed the gender pay gap for remote Indigenous artists for the first time.</p> <h2>A larger gap for women from a non-English speaking background</h2> <p>In our <a href="https://australiacouncil.gov.au/advocacy-and-research/making-art-work/">2016 survey of 826 professional artists</a> working in metropolitan, regional and rural Australia, we asked participants if they came from a non-English speaking background. </p> <p>Only a relatively small proportion of artists – 10% – came from a non-English-speaking background, compared to 18% for the Australian labour force as a whole. </p> <p>A non-English-speaking background appears to carry an income penalty only for women artists, not for men. </p> <p>We found the annual creative earnings of female artists from a non-English-speaking background are about 71% of the creative incomes of female artists whose first language is English. But there is little difference between the corresponding incomes of male artists.</p> <p>Within the group of artists from language backgrounds other than English, the annual creative earnings of female artists are about half (53%) those of their male counterparts. </p> <p>By contrast, the ratio of female to male creative earnings among English-speaking background artists is 73%. </p> <p>These results suggest that women artists from a non-English-speaking background suffer a triple earnings penalty – from being an artist (and hence as a group earning less than comparable professionals), from their gender, and from their cultural background.</p> <p>Despite this earnings disadvantage, 63% of artists who identified as having a first language other than English thought their background had a positive impact on their artistic practice. Only 16% thought it had a negative impact.</p> <p>When artists were asked whether being from a non-English speaking background was a restricting factor in their professional artistic development, 17% of women answered “yes”, compared to only 5% of men from a similar background. </p> <p>Nevertheless, like their male colleagues, these women artists continue to celebrate their cultural background in their art. They contribute to the increasingly multicultural content of the arts in Australia, holding up a mirror to trends in Australian society at large.</p> <h2>No gender gap in remote Indigenous communities</h2> <p>For First Nations artists working in remote communities, a different picture emerges. </p> <p>For this research, we used results for remote communities in three regions of northern Australia drawn from our <a href="https://apo.org.au/node/257301">National Survey of Remote Aboriginal and Torres Strait Islander Artists</a>.</p> <p>The gender gap is not replicated among remotely practising First Nations artists. </p> <p>There are some minor variations in this finding for subgroups in different regions, depending in part on differences in the mix of visual and performing artists in the population. But whatever other differentials may exist between female and male earnings, they do not appear to be attributable to the sorts of systemic gender-based discrimination that affects the residual gender gap for other Australian artists.</p> <p>A possible reason relates to fundamental differences between the cultural norms, values and inherited traditions that apply in remote and very remote First Nations communities. </p> <p>Gender roles in Aboriginal and Torres Strait Islander communities have been <a href="https://anthrosource.onlinelibrary.wiley.com/doi/10.1525/can.1992.7.2.02a00020">described</a> by researchers as distinctively different, rather than superior or inferior. The importance of both women and men as bearers of culture has been clearly articulated. </p> <p>The unique cultural content of Aboriginal and Torres Strait Islander music, dance, visual art and literature is an essential feature of the work of these artists. These characteristics pass through to the marketplace, and there does not appear to be any obvious gender gap in the way the art from these remote communities is received. </p> <p>There is always differentiation between the art produced in different remote regions of Australia which varies depending on the complexities of different inherited cultural traditions. But there is no indication of any gender-based discrimination associated with these regional differences.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/female-artists-earn-less-than-men-coming-from-a-diverse-cultural-background-incurs-even-more-of-a-penalty-but-there-is-good-news-too-195646" target="_blank" rel="noopener">The Conversation</a>. </em></p>

Art

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The most expensive books in the world

<h2>The Tales of Beedle the Bard</h2> <p>JK Rowling’s first book since the conclusion of the Harry Potter series fetched a huge chunk of change. Published in December 2007, Beedle was the complete book of fairy tales that play a crucial role in the final instalment of the Harry Potter series. JK Rowling produced seven separate handwritten copies of Beedle, filled with illustrations she herself had drawn. These books were incredibly beautiful: leather-bound, with silver and moonstones decorating the cover. Rowling gave six of these ‘Moonstone Editions’ to friends and people who worked on the Harry Potter books, but one went up for auction on Amazon. One mega-fan paid US$3.98 million for it, and Rowling donated the proceeds to a children’s charity. While far from the most expensive book on this list, Beedle was the priciest book ever purchased that was written and published in the twenty-first century.</p> <h2>Traité des Arbres Fruitiers</h2> <p>The title of this eighteenth-century French handbook translates to Treatise of Fruit Trees. The book was written by botanist Henri Louis Duhamel du Monceau and contained five separate volumes filled with detailed illustrations. This manuscript went for €3.4 million (about AU$5.2 million) at a 2006 auction. Yes, someone spent over five million dollars for a book about fruit trees.</p> <h2>The Gutenberg Bible</h2> <p>This was the first-ever edition of the ‘Good Book’ to be produced using moveable-type print, with Johannes Gutenberg’s printing press (hence the name). Despite being mass-produced, the Gutenberg Bible is still incredibly rare and valuable, as its AU$8.4 million price tag makes clear. Only 48 copies of the original 1450s-printed batch remain today. The buyer of this copy was Maruzen Co. Ltd., a major Japanese bookseller. At the time, 1987, it set the record for the most expensive book ever purchased.</p> <h2>The First Folio</h2> <p>This collection of William Shakespeare’s plays is widely considered one of the most significant treasures in literary history. Formally titled Mr William Shakespeare’s Comedies, Histories &amp; Tragedies, the folio contains all but four of the Bard’s dramatic works. Of the 750 copies originally published seven years after his death in 1623, only 228 remain. Paul Allen, the co-founder of Microsoft, snatched one up at Christie’s, an auction house in New York City, in 2001. It cost him a cool AU$9.6 million.</p> <h2>The Canterbury Tales</h2> <p>This enduring collection of stories from the middle ages by fourteenth-century poet Geoffrey Chaucer fetched a hefty sum of money in 1998 – AU$11.67 million, to be exact. The 17,000 lines of The Canterbury Tales tell the story of a motley crew of pilgrims who engage in a storytelling contest while on their way to visit a holy shrine. Only 12 original copies still exist today. One ended up in the hands of London book dealers, who purchased it for GP£4.6 million (AU$8.1 million). In 1998, that amount was equal to about US$5.5 million. If you do the math (there are 24 separate tales), that’s approximately US$230,000 per tale.</p> <h2>Birds of America</h2> <p>Between 1827 and 1838, naturalist John James Audubon published a series of exquisite prints depicting hundreds of different North American bird species. Together, the 435 illustrations form the complete first edition of Birds of America, of which there are only 119 remaining copies. Another reason for the bird book’s massive value is the fact that six of the bird species depicted are now extinct. In 2010, the most expensive copy of Birds of America went for US$11.5 million at Sotheby’s Auction House in London. Two other copies of the book also raked in big money in the twentieth century: an US$8.8 million copy in 2000 and a US$7.9 million copy in 2012.</p> <h2>The Gospel of Henry the Lion</h2> <p>Only just beating out the birds in this list of expensive books is a lion… Henry the Lion, to be exact. Henry the Lion was the Duke of Saxony from 1142 to 1180 (Saxony, in case you were wondering, is a German state). He commissioned the production of a gospel book for display on the altar of Brunswick Cathedral. The text was a masterpiece, 266 pages long with 50 Romanesque illustrations depicting scenes from all four gospels. The book ended up back in the hands of the German government around 800 years later when it was purchased at a 1983 London auction for US$11.7 million. Today, the complete manuscript has a home in Wolfenbüttel, Germany’s Herzog August Library. To ensure its safety, it is only put on display once every two years!</p> <h2>Rothschild Prayer Boo</h2> <p>These are some pricey prayers: this Flemish collection of Christian texts, psalms, and images cost its buyer US$13.4 million. It was compiled in the early 1500s and features the works of a myriad of Flemish scholars, which fill 254 separate pages. In 1999, Australian businessman Kerry Stokes purchased it from Christie’s in New York. Stokes loaned it to the National Library of Australia in Canberra, where it remains today.</p> <h2>Bay Psalm Book</h2> <p>Religious texts continue to fill this list of expensive books, with the Bay Psalm Book continuing the trend. This one stands out from its fellows, though, because of its distinction as the first book ever printed in the British colonies that would become America. In 1640, 20 years after the Pilgrims landed on Plymouth Rock, the Bay Psalm Book emerged from printers in Cambridge, Massachusetts. There are approximately eleven copies still intact today, mostly in the possession of libraries and universities. One copy, though, has belonged to American businessman David Rubenstein since 2013, when he bought it at a Sotheby’s auction for US$14.2 million.</p> <h2>St Cuthbert Gospel</h2> <p>This pocket-sized version of the Gospel of John is one of the earliest surviving examples of Western bookbinding. Created in the eighth century, it spent years in the coffin of its namesake, St Cuthbert, before becoming the property of an English Jesuit school. In the years leading up to its 2012 purchase, it was on loan to the British Library. The book measures only 14 centimetres by nine centimetres inches. It may be small, but its price tag sure isn’t; the British Library raised over GB£9.5 million (AUD16.6 million) to buy it for good at an auction.</p> <h2>The Magna Carta</h2> <p>The Magna Carta, the thirteenth-century charter that laid the foundation for the future of the law as we know it, is one of the most famous texts in history. Naturally, it earns a high spot on this list. The text was one of the earliest to lay out the concept of basic human rights and limit the powers of a king. Today, only seventeen copies predating 1300 survive. One sold for a whopping AU$33.1 million at a 2007 auction. The identity of the buyer is most likely David Rubenstein, who is also the lucky (or perhaps just wealthy) owner of the Bay Psalm Book. His reasoning for spending so much money? He thought it ‘very important’ that there be a copy of the Magna Carta in the United States. It’s widely believed that the document helped inspire the Declaration of Independence.</p> <h2>The Codex Leicester</h2> <p>You might know this author’s name: Leonardo da Vinci. You might know the buyer’s name as well: Bill Gates. The current record for the most expensive book of all time belongs to this 72-page notebook filled with the Renaissance genius’s notes and theories. In the early 1700s, the Codex was purchased by the Earl of Leicester, hence its name. In 1980, an art collector bought it from the Leicester estate, and none other than Bill Gates bought it from the collector in 1994. The Codex set Gates back a cool US$30.8 million. Gates decided to share his purchase with the world, and did it in the most Bill Gates way possible: he scanned the pages of the book and turned them into a Windows 95 screensaver.</p> <p><strong>This article originally appeared on <a href="https://www.readersdigest.co.nz/culture/the-most-expensive-books-in-the-world?pages=1" target="_blank" rel="noopener">Reader's Digest</a>.</strong></p> <p><em>Image: Shutterstock</em></p>

Books

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Literary travels – destinations made famous by your favourite writers

<p>Great writers have the ability to make a destination jump off the page. Here are five places made famous by great writers where you can step into the pages of your favourite book.</p> <p><strong>Myanmar</strong></p> <p>During the 1920s and 30s Burma (as it was called then) was a hub for the most famous writers in the world. George Orwell, Rudyard Kipling and Somerset Maugham all lived here and the capital Yangon (Rangoon) was a buzzing party town and the most beautiful capital in the British Empire. </p> <p>Much has changed in modern day Myanmar, but travellers can still spend the night in the famous Strand hotel where Kipling used to write or travel up the Ayeyarwady River stopping at the small towns that Orwell made famous in <em>Burmese Days.</em></p> <p><strong>Bali</strong></p> <p>In 2006 Elizabeth Gilbert chronicled the breakdown of her marriage and her own recovery in the novel <em>Eat Pray Love</em>. After stints in Italy (eating) and India (praying), Gilbert set up camp in Ubud in the lush green hills of Bali to find a balance of the two – and ultimately found love. </p> <p>The book and subsequent film have brought a huge influx of travellers to Ubud, but it is still a quiet region of rice paddies, ancient Hindu temples and roadside stalls – though there is now a healthy dose of art galleries, small bars and boutiques added to the mix. Check into a villa and let the soul soothing begin.</p> <p><strong>St Petersburg</strong></p> <p>St Petersburg has been the inspiration for novelists from Russian greats like Tolstoy and Dostoevsky through to <em>The Bronze Horseman</em> trilogy by Paullina Simons. During the city’s famed white nights (a period from May to July where the sun barely sets and the city experiences near constant daylight) you can practically see Anna Karenina dashing through the streets in her finest. </p> <p>Russia is also home to more literary museums than any other country in the world and in St Petersburg you can visit the Dostoevsky museum in the apartment where he wrote <em>The Brothers Karamazov</em> or the National Pushkin Museum dedicated to Russia’s favourite poet.</p> <p><strong>Dublin</strong></p> <p>Dublin is one of only six UNESCO Literary Cities in the world, which is not surprising when you consider it’s the birthplace of James Joyce, Oscar Wilde and WB Yeats. Joyce’s <em>Ulysses</em> follows a day in the life of three Dubliners and fans can now take a self-guided walking tour around the city visiting the places mentioned in the book (there’s even a virtual tour online if you’re more of an armchair traveller). </p> <p>Visit the Dublin Writers Museum to learn about the city’s great literary history or head to Trinity College to see the legendary Book of Kells, an illuminated gospel manuscript dating from 800AD.</p> <p><strong>Cuba</strong></p> <p>To think of Cuba is to think of Ernest Hemingway; sitting at a bar, mojito in hand, cigar clamped firmly between his teeth. Papa, as he was known, lived in Cuba for more than 20 years and it was the setting for his last major fiction book, the Pulitzer Prize winning <em>The Old Man and the Sea</em>. </p> <p>The small fishing village of Cojimar, where Hemingway used to dock his boat, was the inspiration for the book and the old man is said to be based on Cojimar local Gregorio Fuentes. The village is largely unchanged, with narrow streets and a picturesque seafront – though expect to find a few tour buses stopped for photos by the bust of Hemingway. </p> <p><em>Image credits: Getty Images</em></p>

Travel Tips

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Author claims she felt "used and manipulated" by Princess Diana

<p>An author has claimed she felt "manipulated and used" by Princess Diana, after she published a book detailing the late Princess's relationship with British Army captain James Hewitt. </p> <p>Anna Pasternak, was widely criticised for her 1994 book <em>Princess in Love</em>, said she is now "firmly team Camilla", but admits she feels "sorry" for Diana, King Charles and the Queen Consort, believing they "suffered at the hands of an unrelenting monarchy".</p> <p>A year before the publication of Anna's book, she wrote about Princess Diana's friendship with Captain Hewitt in a series of articles for the Daily Express, though their affair was not mentioned. </p> <p>"Hewitt told me that he was only speaking to me because Diana had asked him to – although the series never hinted at an affair, it just showed them as good friends," Pasternak wrote in a piece for <a title="The Telegraph" href="https://www.telegraph.co.uk/royal-family/2022/11/02/wrote-dianas-affair-took-20-years-recover-backlash/" target="_blank" rel="noopener">The Telegraph</a> UK.</p> <p>"Diana was in constant contact with him during this time. He said that she thanked him on the phone for 'talking, as you know I can't. At least people will know the truth'."</p> <p>A year later, royal expert Andrew Morton's explosive new book came out and Diana feared his forthcoming next work would expose her affair with Hewitt.</p> <p>Diana decided to take control of the narrative of her relationship and called on Pasternak, who was soon tasked with writing the book with Diana's permission. </p> <p>Through Hewitt, Diana wanted Pasternak to write about their relationship so the "world could see that their love was genuine" and see why she had had an affair "in the face of Charles's rejection" believing the public "would not condemn her".</p> <p>Hewitt called Pasternak the night Prince Charles admitted, on television, to having a relationship with Camilla.</p> <p>He asked her to write the book in just five weeks, to beat the publication of Morton's second book.</p> <p>The author said she wrote <em>Princess In Love</em> because she needed money and "burning with injustice for our adored, lonely princess, I genuinely thought that I was helping her".</p> <p>The book was quickly condemned by the public and dismissed as "romantic nonsense", despite Diana soon confessing to her love affair with Hewitt in her BBC Panorama interview.</p> <p>Pasternak says Hewitt was "ruined by his confession" and "would never have spoken out in the first place without Diana's encouragement and consent".</p> <p>The author also admitted that she regretted the toll the book had on her reputation, her family and the royal family.</p> <p>"It took me ages to realise that I felt manipulated and used by Diana. Now, firmly Team Camilla, I feel sorry for Diana, Charles and Camilla. Each of them suffered at the hands of an unrelenting monarchy."</p> <p><em>Image credits: Getty Images </em></p>

Books

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With the strokes of a guitar solo, Joni Mitchell showed us how our female music elders are super punks

<p>The iconic Joni Mitchell’s recent surprise performance at the <a href="https://www.youtube.com/watch?v=jxiluPSmAF8&amp;feature=youtu.be">2022 Newport Folk Festival</a> prompted a world-wide outpouring of love and respect. </p> <p>This was her first musical performance since suffering from a brain aneurysm in 2015 that left her unable to walk and talk. Last year, she spoke of having <a href="https://www.nme.com/en_au/news/music/joni-mitchell-addresses-health-issues-in-rare-speech-at-2021-kennedy-center-honors-3112447">polio as a child</a> as “a rehearsal for the rest of my life”. </p> <p>The tributes for Mitchell celebrated her triumph from illness to recovery, but they also paid homage to Mitchell’s career that has pivoted on protest. </p> <p>Mitchell is largely associated with folk scenes of the 60s and 70s. She has produced a prolific body of work, advocating for social change. As a committed activist she has spoken against environmental degradation, war, LGBTQI+ discrimination, and most recently, removed <a href="https://www.theverge.com/2022/1/29/22907696/joni-mitchell-spotify-joe-rogan-podcast-misinformation-covid-19">her music catalogue</a> from Spotify in a protest against anti-vaccine propaganda. </p> <p>Now, with the <a href="https://www.youtube.com/watch?v=G7wOdpxGctc">strokes of a guitar solo</a> she repositioned herself from folk hero to punk provocateur, defying the “permissible” ways older women “should” behave. </p> <p>In commanding public space and using one of the most traditionally masculinised expressions of popular music practice, she directly challenged the sorts of expectations many people have around gendered norms, particularly what women in their elder years look and sound like.</p> <h2>Not everyone gets to age on stage</h2> <p>Some of the most persistent social restrictions placed on women and gender diverse musicians are in relation to age. </p> <p>Ongoing expectations of older women are to be passive, quiet and very much in the background. They are rarely asked, or expected, to “take up space” in the same ways their male counterparts do. </p> <p>Whereas men step through phases of youthful experimentation into established music legends, there are tiresome obstacles for female and gender diverse people to do the same. </p> <p>And while exceptions are often exceptional, they are not plentiful.</p> <p>It’s not just age. Women have long been sidelined when it comes to acknowledging their skills on the electric guitar. Much like Mitchell.</p> <p>The electric guitar has been an important part of rock and punk genres. There is a symbiotic relationship between how these genres – and the instrumentation that defines them – have unwittingly become gendered. The electric guitar solo in particular has come to be associated with machismo: fast, loud, expert, brave. </p> <p>If you like to imagine a world where women don’t exist, google “best guitar solos ever”. </p> <p>A recent <a href="https://www.nytimes.com/interactive/2022/04/02/opinion/grammys-rock-guitar-solo.html">New York Times article</a> suggested things are starting to change. Citing guitarists like Taja Cheek and Adrianne Lenker, the Times suggested the guitar solo has shifted from a macho institution into a display of vulnerability, a moment (perhaps many) of connectivity. </p> <p>Mitchell’s performance sits somewhere in this domain. </p> <p>For the hundreds of thousands of women and gender diverse guitarists world-wide, myself included, the electric guitar and the genres it is entwined with offer a cool, optional extra: to test the cultural norms of gender with other markers of identity like class, culture, sexuality and age, to blur ideas of what we should and shouldn’t do.</p> <h2>Australian women to the front</h2> <p>Australian women and gender diverse rock and punk musicians are often subject to a double act of erasure – missing from localised histories, and also from broader canons of contemporary music, which often remain persistently rooted in the traditions of the UK and the US.</p> <p><a href="https://www.goodreads.com/en/book/show/55669013-my-rock-n-roll-friend">Tracey Thorn’s brilliant biography</a> of the Go-Between’s drummer Lindy Morrison is a love lettered homage that steps out the complex local, emotional, personal and structural ways that Australian women and gender diverse people are often omitted from cultural spaces. </p> <p>“We are patronised and then we vanish,” writes Thorn.</p> <p>The work of women and gender diverse artists is often compared to the glossy pedestal of the male creative genius.</p> <p>In this light, we don’t play right, we don’t look right, we don’t sound right. </p> <p>And then, somehow, we don’t age right. </p> <p>Other reasons are far more mundane. Women contribute around <a href="https://www2.deloitte.com/au/en/blog/economics-blog/2019/Value-unpaid-work-care.html">13 hours more unpaid work</a> than men each week. </p> <p>Carrying plates overflowing with generous gifts of labour, the maintenance of a music practice – a largely underpaid endeavour – is often the first to fall by the wayside. </p> <p>Add to the mix ingrained social networks of knowledge sharing, and the dominance of men making decisions higher up the chain, and it is easy to see how women and gender diverse musicians stay submerged as men rise to the limited real estate of music elders. </p> <p>The problem isn’t so much about starting up. It’s about finding the time to keep up.</p> <h2>Our female and gender diverse music elders</h2> <p>There are so many Australian female and gender diverse music elders. Some are visible, but many ripple beneath the surface. </p> <p>Regardless of genre, in maintaining decades-long practice, they are the super punks whose legacy can be heard in venues across the country. </p> <p>The challenge now is to support the current crop of excellent musicians beyond the flushes of youth so that we have a more sustainable, textured and diverse Australian music culture. One where Mitchell’s defiance of expectations represents the status quo of how older women should and can be.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/with-the-strokes-of-a-guitar-solo-joni-mitchell-showed-us-how-our-female-music-elders-are-super-punks-188075" target="_blank" rel="noopener">The Conversation</a>. </em></p>

Music

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5 minutes with author John M. Green

<p dir="ltr">In the OverSixty “5 Minutes With” series, we ask book writers about their literary habits and preferences. Next up is John M. Green who is debuting his sixth book, <em>Framed</em>.</p> <p dir="ltr">John worked as a director at a leading investment bank for 30 years before deciding to pursue his writing career.</p> <p dir="ltr">Framed is inspired by the infamous robbery that took place at the Isabella Stewart Gardner Museum in Boston in 1990 and looks at the world of art theft and organised crime.</p> <p dir="ltr">With six books already published, John M. Green has started working on his seventh one. </p> <p dir="ltr">Watch this space. </p> <p dir="ltr"><strong>What inspired you to write <em>Framed</em>?</strong></p> <p dir="ltr">Being confronted by a series of empty frames on the walls inside Boston’s Isabella Stewart Gardner Museum, frames where thieves - in a billion-dollar art heist in 1990 - sliced out and stole three Rembrandts, a Vermeer and five works by Degas, among others, works that have never been recovered. From that day, I’ve been haunted by the question: where are these works today? </p> <p dir="ltr"><strong>You’ve written six books, did you do anything differently for <em>Framed</em>? </strong></p> <p dir="ltr">I wrote <em>Framed </em>while convalescing from open heart surgery, so readers might find a greater love of life in it. And due to the COVID lockdowns, I wrote <em>Framed </em>with far fewer distractions … I wasn’t travelling anywhere, for business or pleasure, I didn’t have to attend physical meetings, you know the rest. In many ways, it was my most satisfying writing experience, and I hope it shows in the reading.</p> <p dir="ltr"><strong>If you could tell your younger writer something, what would it be? </strong></p> <p dir="ltr"> Stop thinking about writing a novel, and actually start writing it. But most importantly, finish it.</p> <p dir="ltr"><strong>What is next on the agenda for you as an author? </strong></p> <p dir="ltr">While Framed is about art - and murder, my seventh novel is about theatre - and murder.</p> <p dir="ltr"><strong>What is one book you recommend everyone should read?</strong></p> <p dir="ltr">Where the Crawdads Sing by Delia Owens. I was utterly entranced. </p> <p dir="ltr"><em>Images: Supplied</em></p>

Books

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"This is the devil's work!": Nun pulls apart female models sharing a kiss

<p dir="ltr">A shocked nun caused quite a stir in the streets of Italy when she pulled away two female models who were kissing for a photoshoot.</p> <p dir="ltr">The nun was dressed in a white habit and rushed to stop Serena de Ferrari and Briton Kyshan Wilson who had locked lips in a Naples backstreet as they posed for a photo for Not Yet magazine.</p> <p dir="ltr">“What are you doing? This is the devil's work,” the nun shouted at them as they giggled.</p> <p dir="ltr">She looked around at the cameramen and crossed herself before saying: “Jesus, Joseph and Mary”.</p> <p dir="ltr">Make up artist Roberta Mastalia, who was on the shoot, said they had to ask the nun to leave thinking she was just joking.</p> <p dir="ltr">“We were on location in the Spanish Quarter in Naples, in a little sidestreet with the two models when all of a sudden the nun walked past,” he said, <a href="https://www.dailymail.co.uk/news/article-11027633/Italian-nun-splits-two-female-models-kissing-photoshoot-calling-devils-work.html" target="_blank" rel="noopener">The Daily Mail</a> reported.</p> <p dir="ltr">“She asked us if we had been to Mass that day and when we said 'No' she started blaming young people for Coronavirus and then she saw the two models posing up ready to kiss and that's when she ran forward to split them up.</p> <p dir="ltr">“Our first reaction was we were all stunned. They took it as a bit of a joke and you can see from the video the two girls are laughing.</p> <p dir="ltr">“We then had to ask the nun to leave as we explained we had work to do and she slowly walked off.”</p> <p dir="ltr">Both Serena and Briton shared clips of the incident to their social media with the caption “God doesn’t love LGBT”.</p> <p dir="ltr">Local priest Father Salvatore Giuliano The Church is constantly updating its views but some of the older generation have not yet accepted it.</p> <p dir="ltr"><em>Images: Instagram</em></p>

Travel Trouble

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For the love of Thor! Why it’s so hard for Marvel to get its female superheroes right

<p>When it was first revealed that Natalie Portman was to become the “female Thor” in Marvel’s latest superhero instalment, Thor: Love and Thunder, fans were quick to <a href="https://www.igi-global.com/chapter/if-she-be-worthy/259582" target="_blank" rel="noopener">condemn the decision</a> on social media.</p> <p>Portman was lambasted as not “<a href="https://www.urbandictionary.com/define.php?term=Swole" target="_blank" rel="noopener">swole</a>” enough, too petite, and generally not what people imagined the character to be. Ten months of <a href="https://www.news.com.au/entertainment/movies/new-movies/natalie-portmans-trainer-reveals-how-the-star-got-so-ripped-for-thor/news-story/f068c4080ebb18716dcd25855905611b" target="_blank" rel="noopener">intensive workouts and a high-protein diet</a> later, and Portman is being <a href="https://www.independent.co.uk/life-style/women/natalie-portman-thor-arms-madonna-b2117769.html" target="_blank" rel="noopener">applauded</a> for arms that “could actually throw giant hammers at baddies’ heads”.</p> <p>Yet that early reaction to Portman’s casting attests to how the representation of female superheroes can be difficult for movie-makers when the established audience is often perceived to be young, white, cisgender and male.</p> <p>It seemingly doesn’t matter that the number of women consuming superhero content has <a href="https://www.tandfonline.com/doi/full/10.1080/09540253.2019.1633460?journalCode=cgee20" target="_blank" rel="noopener">increased</a>. Offering feminist depictions of characters that could challenge the defining masculinity of the genre remains a problem.</p> <div data-id="17"> </div> <p>What does this mean for Portman and the female superheroes who have come before (and will follow) her? The answer seems to be that the makers of superhero movies inevitably <a href="https://rowman.com/ISBN/9781793624598/The-Superhero-Multiverse-Readapting-Comic-Book-Icons-in-Twenty-First-Century-Film-and-Popular-Media" target="_blank" rel="noopener">subvert some gender stereotypes</a> while maintaining others.</p> <p>In short, they offer token female representation so as not to ostracise audiences. So while she might now be more muscular, Portman is still subordinated to Chris Hemsworth’s Thor by highlighting that she is first and foremost his love interest.</p> <h2>Too few female superheroes</h2> <p>Granted, the Marvel Cinematic Universe (MCU) franchise has at least attempted to cast female leads and to advocate for women’s issues. For example, Black Widow’s standalone film was in part <a href="https://www.independent.co.uk/arts-entertainment/films/news/scarlett-johansson-black-widow-feminist-me-too-times-up-empire-a9704806.html" target="_blank" rel="noopener">intended to contribute</a> to the dialogue around the #Timesup and #MeToo movements.</p> <p>And the latest Thor offering explores the value of female friendships, with co-star <a href="https://www.usatoday.com/story/entertainment/movies/2022/06/22/thor-love-and-thunder-natalie-portman-building-mighty-physique/7687523001/" target="_blank" rel="noopener">Tessa Thompson attesting</a> to her character Valkyrie being “happy to have found a new sister”.</p> <p>There’s no doubt female viewers can identify with these powerful women and their stories and as a result form positive attitudes to the superhero genre in general. But that means more superhero films need to be made with the female viewer in mind.</p> <p>Such offerings are few and far between, however. Let’s not forget it took Marvel ten years to give Black Widow her own film after her original introduction to the franchise (in 2010’s Iron Man 2).</p> <p>In many ways, Marvel’s films continue to depict women as auxiliaries – damsels in distress, love interests, or subordinate in some way to their male counterparts. In fact, actress <a href="https://www.bbc.com/news/entertainment-arts-57524423" target="_blank" rel="noopener">Scarlett Johansson criticised</a> the earlier “hyper-sexualisation” of her Black Widow character.</p> <p>Similarly, Scarlet Witch, one of the most powerful of the Avengers characters, is often defined by the male relationships in her life. In the recent Dr Strange: The Multiverse of Madness, she typifies many <a href="https://theconversation.com/the-witch-treatment-what-dr-stranges-wanda-tells-us-about-representations-of-female-anger-184509" target="_blank" rel="noopener">unfavourable female tropes</a>, including the “hysterical woman” and “monstrous mother”.</p> <h2>The hyper-sexualised stereotype</h2> <p>Treating even powerful female characters as <a href="https://www.panicdiscourse.com/wp-content/uploads/2019/04/5-19-Holding-Out-for-a-Heroine.pdf" target="_blank" rel="noopener">subordinate or dependent</a> might reassure male fans that superheroines aren’t a threat to the masculine undertones of the genre, but it does a disservice to the female audience.</p> <p>Asked to assess superhero graphic novels and films, most women in <a href="https://journals.sagepub.com/doi/abs/10.1177/1045159514546214" target="_blank" rel="noopener">one study</a> said they disliked and avoided the DC Comics character of Catwoman because she was presented as manipulative and emotional.</p> <p>Other <a href="https://onlinelibrary.wiley.com/doi/abs/10.1002/car.1094" target="_blank" rel="noopener">research has found</a> that exposure to messages of powerlessness can lead girls to feel demoralised and dissatisfied with their own identities, and the overly sexualised depiction of female superheroes can result in <a href="https://link.springer.com/article/10.1007/s11199-015-0455-3" target="_blank" rel="noopener">lower body esteem</a> in women.</p> <p>On the other hand, some also rebel against the <a href="https://www.tandfonline.com/doi/full/10.1080/21504857.2014.916327" target="_blank" rel="noopener">stereotypes</a>. <a href="https://thehawkeyeinitiative.tumblr.com/" target="_blank" rel="noopener">The Hawkeye Initiative</a>, for example, parodies the male gaze within the comic book genre by depicting men in the same absurd costumes and poses normally reserved for female characters.</p> <h2>Male backlash and box office risk</h2> <p>The real issue, though, is whether women should even have to challenge such depictions. If more films and comics were made by women for women, perhaps there would be fewer tokenistic portrayals to begin with.</p> <p>Marvel has rejected criticism of its female characters, with its <a href="https://www.thewrap.com/marvels-kevin-feige-calls-black-widow-backlash-a-little-strange-boasts-his-movies-are-full-of-smart-intelligent-powerful-women/" target="_blank" rel="noopener">president saying</a> the studio has always “gone for the powerful woman versus the damsel in distress” and pointing to the recent release of female-led superhero films and TV programs such as She-Hulk and Ms Marvel.</p> <p>Trouble is, it’s hard to keep everyone happy. Marvel has felt the backlash from die-hard male fans to a supposed feminist agenda underpinning the studio’s direction. 2019’s Captain Marvel, for example, was touted as <a href="https://www.latimes.com/entertainment/movies/la-ca-mn-captain-marvel-directors-20190228-story.html" target="_blank" rel="noopener">bringing feminism</a> to the Marvel universe, but <a href="https://www.nytimes.com/2019/03/13/movies/captain-marvel-brie-larson-rotten-tomatoes.html" target="_blank" rel="noopener">poor reviews and audience ratings</a> were attributed in part to perceived political correctness and a narrative based on female agency.</p> <p>Researchers such as <a href="https://www.tandfonline.com/doi/full/10.1080/21504857.2016.1219958?casa_token=DXr8QHcO8nUAAAAA%3AHBBbBqJoe6-VxG-a1kak5O-52rNPUXySYFwJRKjh9ALcXyO9KpYTQLcRL0j-7Q6AVIdGp6Kq7pVibA" target="_blank" rel="noopener">Stephanie Orme</a> have contended that the dominance of men in the superhero genre leaves many female fans feeling alienated and unable to change the gender stereotypes, precisely because they’re not seen as the target audience.</p> <p>It seems that without more and better film and comic female superheroes telling women’s stories, these male-centric genres will continue to alienate female audiences – and to fall short of their creative and commercial potential.</p> <p><em><strong>This article originally appeared on <a href="https://theconversation.com/for-the-love-of-thor-why-its-so-hard-for-marvel-to-get-its-female-superheroes-right-186639" target="_blank" rel="noopener">The Conversation</a>.</strong></em></p> <p><em>Image: YouTube</em></p>

Movies

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Female tennis stars speak out against all-white Wimbledon dress code

<p dir="ltr">Wimbledon, one of the most long standing and prestigious tennis competitions on the sporting calendar, is steeped in tradition, including a strict all-white dress code for its players.</p> <p dir="ltr">While Nick Kyrgios came under fire for wearing red shoes and a red cap on the court, female players have spoken out about the anxiety the dress code causes when it comes to a common experience: periods.</p> <p dir="ltr">Aussie player Daria Saville told <em><a href="https://www.instagram.com/p/CfpkO3ChCzY/" target="_blank" rel="noopener">The Daily Aus</a></em> she has needed to skip her period as a result of the dress code, while others have spoken about the stress that comes from worrying about bleeding through their ‘Wimbledon whites’.</p> <p dir="ltr">“Recently just being at Wimbledon, I was talking with my friends saying that I love the all-white look,” the no. 98 told the outlet.</p> <p dir="ltr">“But then a few girls said they hate it because it sucks to wear all white while being on your period.</p> <p><span id="docs-internal-guid-a4d3f821-7fff-b193-7108-8df2c756bfeb"></span></p> <p dir="ltr">“It’s true, I myself had to skip my period around Wimbledon for the reason that I didn’t want to worry about bleeding through, as we already have enough stress.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">As we enter the last week of <a href="https://twitter.com/hashtag/Wimbledon?src=hash&amp;ref_src=twsrc%5Etfw">#Wimbledon</a>, we think its time to have a real discussion around the all white dress code and how it feeds period shame amongst professionals and young girls. <a href="https://t.co/oKhDXB2Jo9">https://t.co/oKhDXB2Jo9</a></p> <p>— holly (@hollygordonn) <a href="https://twitter.com/hollygordonn/status/1543877058496978944?ref_src=twsrc%5Etfw">July 4, 2022</a></p></blockquote> <p dir="ltr">Wimbledon’s strict dress code was written in the 1880s, when any form of sweat on an athlete’s clothing was considered improper and rude, with “undergarments” that are visible or could be visible because of sweat also subject to the rule.</p> <p dir="ltr">The all-white attire was believed to minimise the visibility of sweat while helping the players stay cool, according to <em><a href="https://www.sbs.com.au/news/the-feed/article/female-tennis-stars-detail-anxiety-of-strict-wimbledon-dress-code/m1zsxut2i" target="_blank" rel="noopener">SBS</a></em>.</p> <p dir="ltr">As beneficial as it may be to help players stay cool in hotter temperatures, its impact on female players seems to outweigh any benefits, with some athletes even turning to birth control to skip their period around the competition.</p> <p dir="ltr">“I’ll probably go on the pill just to skip my period for Wimbledon,” British player Heather Watson recently told the <em>BBC</em>. “That’s the thought process and the conversation girls have around it.”</p> <p dir="ltr">British star Alicia Barnett recently opened up about the mental stress of wearing white while on her period, all while also dealing with the accompanying symptoms that impact her performance.</p> <p dir="ltr">In an interview with the PA news agency, she said that though she loves the tradition, “some traditions could be changed” in her opinion.</p> <p dir="ltr">“I, for one, am a massive advocate for women’s rights and I think having this discussion is just amazing, that people are now talking about it,” Barnett said.</p> <p dir="ltr">“Personally, I love the tradition of all-whites and I think we will handle it pretty well.</p> <p dir="ltr">“I think being on your period on tour is hard enough, but to wear whites as well isn’t easy.”</p> <p dir="ltr">Reflecting on the physical impact of menstruation on performance, Barnett told PA: “Your body feels looser, your tendons get looser, sometimes you feel like you’re a lot more fatigued, sometimes your coordination just feels really off, and for me I feel really down and it’s hard to get motivation.</p> <p dir="ltr">“Obviously, you’re trying to play world-class tennis but it’s really hard when you're PMS-ing and you feel bloated and tired.<br />“Why do we need to be shy about talking about it?”</p> <p dir="ltr"><span id="docs-internal-guid-1f2b69c7-7fff-fa34-f9df-adc49784764e"></span></p> <p dir="ltr">Former athlete Monica Puig addressed the issue on Twitter in May, responding to commentator David Law’s tweet where he revealed that he had never considered the physical impact of menstruation on athletes during his 25 years working in tennis.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Definitely something that affects female athletes! Finally bringing it to everyone’s attention! Not to mention the mental stress of having to wear all white at Wimbledon and praying not to have your period during those two weeks. <a href="https://t.co/PzyHnPlSJk">https://t.co/PzyHnPlSJk</a></p> <p>— Monica Puig (@MonicaAce93) <a href="https://twitter.com/MonicaAce93/status/1531588251642912768?ref_src=twsrc%5Etfw">May 31, 2022</a></p></blockquote> <p dir="ltr">“Definitely something that affects female athletes!” Puig wrote in response. “Finally bringing it to everyone’s attention! Not to mention the mental stress of having to wear all white at Wimbledon and praying not to have your period during those two weeks.”</p> <p dir="ltr">Law is among a growing number of commentators also addressing the issue, including The Tennis Podcast host Catherine Whitaker, who has said the dress code has outlived its time and has called for the rules to be more flexible.</p> <p dir="ltr">“I would like to see it change,” she said in one interview. “If they had a clothing policy that affected men in the way that it does women, I don’t think that particular tradition would last.</p> <p dir="ltr">“I cannot imagine going into the biggest day of my life, with my period, and being forced to wear white.”</p> <p dir="ltr"><span id="docs-internal-guid-d7e8b3a1-7fff-1842-646a-9329fcbc23a1"></span></p> <p dir="ltr"><em>Image: Getty Images</em></p>

Beauty & Style

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5 minutes with author Sally Piper

<p dir="ltr">In the Over60 “5 Minutes With” series, we ask book writers about their literary habits and preferences. Next up is Sally Piper who is debuting her third book, <em>Bone Memories</em>.</p> <p dir="ltr">Piper worked as a nurse and nurse educator, specialising in neurosurgical critical care and decided to use her experience in people’s vulnerabilities to write her books.</p> <p dir="ltr">With <em>Bone Memories</em>, Piper explores grief, family, murder and media representation of female victims of crime. </p> <p dir="ltr"><em>Bone Memories</em> is out now and can be purchased <a href="https://www.uqp.com.au/books/bone-memories" target="_blank" rel="noopener">here</a> and enjoy the <a href="https://d3f44jafdqsrtg.cloudfront.net/book-clubs/BookClubNotes_Bone-Memories.pdf" target="_blank" rel="noopener">book club notes</a> with your friends.</p> <p dir="ltr"><strong>What inspired you to write Bone Memories?</strong></p> <p dir="ltr">The story grew first from questions I had about how victims and survivors of a crime might memorialise the site where their trauma had occurred. I wondered whether being close to this ground brought people comfort or if proximity to it harmed them further. I wondered what it made their grief look and feel like when they moved across that ground and how that relationship might affect them or change over time.</p> <p dir="ltr">Through the story, I hoped to explore how trauma lives in the body and for some people how it also lives in the land where that trauma occurred; how history and geography for some are inextricably linked. And I wanted to explore how people reconcile this link or what happens if they are unable to.</p> <p dir="ltr">Equally, I often think about the effect that witnessing violence has on children, even if they have little or no memory or understanding of the event. Would they have some innate sense that they had witnessed something terrible? If so, how might this play out as they matured?</p> <p dir="ltr">In writing Bone Memories, I hoped to answer these questions. But as is often the case with any writing project, once you get into it, doors open to other thinking as well. With this story I was once again drawn into what forces impact upon women's safe and free movement through the world (something I explored in my previous novel,<a href="https://www.uqp.com.au/books/the-geography-of-friendship" target="_blank" rel="noopener"> The Geography of Friendship</a>), but this time I looked at it in the way that the media represents female victims of crime; how some crimes against women are reported with a sympathetic narrative, one that elicits intense social empathy, and at other times women are essentially blamed for their own deaths.</p> <p dir="ltr"><strong> Where do you get your information or ideas for your books?</strong></p> <p dir="ltr">I read widely and often around obscure topics, which inevitably takes me down rabbit holes of thinking, so ideas I hadn’t previously considered important suddenly become so. This is the best kind of information gathering, because it is unexpected. It is also one of the reasons I never plan my stories, allowing them to evolve organically. And neither do I allow myself to know the ending of a novel. Because if I get surprises along the way, then it is my hope that readers will too.   </p> <p dir="ltr"><strong>How do you deal with writer’s block?</strong></p> <p dir="ltr">Writer’s block is a phrase I won’t use in relation to my writing practise. It sounds too much like a disease that I’m at risk of ‘catching’. When I’m struggling to start or progress a work it is usually because I haven’t thought enough about what it is I want to say. Or as Jonathan Franzen puts it: ‘the blank page in the mind has to be filled before you have the courage to face the actual blank page.’ Which is to say, think first, write later. If I get stuck, I go back to the original questions I began the story with: What do I want this story to say? What are the themes and issues I want it to address? Who are the stakeholders? Not being able to find the words is often because I have lost sight of the answers, or I need to ask myself new or better questions.</p> <p dir="ltr">There is also something else that can stop a work in its tracks, which masquerades as writer’s block: procrastination. But procrastination is a defence mechanism, another word for fear or a lack of self-belief. It protects us from criticism. It keeps us safe from failure. It saves us digging deeply into the personal stuff of what we’re writing about, which is often the place where the gold is found. The solution then is to find courage, trust yourself and persevere.  </p> <p dir="ltr"><strong>What is your work schedule like when you're writing?</strong></p> <p dir="ltr">When working on a new project, I write most days, mainly in the morning. The afternoon is usually spent editing that morning’s work, often after a bushwalk, an activity I call writing away from the desk. Once away from the work, I see it through a different lens: an editorial one. I find the rhythm of walking allows for clearer thinking, helped in no small part by fresh air and the calming beauty of the bush. With this clarity I can usually work out what isn’t working in the story, and often why as well, so that I come back with a solution. Sometimes I cut the walk short because I’m excited to get back and make the changes.</p> <p dir="ltr"><strong>Do you expect Bone Memories to become a TV series?</strong></p> <p dir="ltr">I think every writer has a secret dream that their story will be reimagined for the screen, and there certainly is more scope for these opportunities now with the rise of streaming services such as Netflix and Stan. When this dream came true for my second novel, The Geography of Friendship, which is to be made into a 6-part TV series by Aquarius Films and Rose Byrne’s Dollhouse Pictures, I was absolutely thrilled to think that the characters in that story would be reimagined in this way. So, it is hard not to hope for the same thing for my third novel, Bone Memories. It is a deeply human, family-centric story with strongly realised characters and a sharp eye for the Australian landscape, so I think it would make an excellent adaptation. But of course, I’m not at all biased!</p> <p dir="ltr"><em>Images: Fiona Muirhead/Supplied</em></p>

Books

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How to Murder Your Husband author sentenced to life in prison

<p dir="ltr">The author who once penned an essay “How to Murder Your Husband” was sentenced to life in prison for murdering her husband at his workplace. </p> <p dir="ltr">Nancy Crampton Brophy, 71, was found guilty of second-degree murder for shooting dead her chef husband Daniel Brophy, 63, back in June 2018. </p> <p dir="ltr">Following the seven week trial, Nancy was sentenced to life in prison on June 13 and will only be eligible for parole after serving 25 years in custody. </p> <p dir="ltr">Prosecutors told the court that Crampton Brophy killed her husband to claim her husband’s $1.4 million life insurance policy. </p> <p dir="ltr">They said that she was collecting gun pieces in the moments leading to Daniel’s death before killing him at the Oregon Culinary Institute. </p> <p dir="ltr">Footage presented to the Multnomah County courtroom showed that Crampton Brophy in fact owned the same make and model of the gun that killed her husband.</p> <p dir="ltr">She was also seen driving to and from the culinary institute when Daniel was killed and found by his students. </p> <p dir="ltr">Her defence team argued that she was collecting them for a new book she was writing - about a woman who slowly collected gun parts to complete a weapon and get back at her abusive husband.</p> <p dir="ltr">They said that Crampton Brophy and Daniel were in a loving relationship for almost 25 years. </p> <p dir="ltr">The jury of five men and seven women deliberated the case for eight hours before delivering the guilty verdict.</p> <p dir="ltr">One of Crampton Brophy’s attorneys, Lisa Maxfield said they are looking to appeal.</p> <p dir="ltr">Crampton Brophy is due to be sentenced on June 13.</p> <p dir="ltr"><em>Images: Twitter</em></p>

Legal

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Why women make up more than 80 per cent of true crime podcast listeners

<p dir="ltr">It’s been a running joke for a while that most true crime podcast listeners are female.</p> <p dir="ltr">But it has now been revealed that young women make up a whopping 80 per cent of true crime podcast listeners. </p> <p dir="ltr">Dr Julia Shaw, a criminal psychologist and co-host of the true crime and science podcast Bad People, said the simple reason was due to women’s experiences.</p> <p dir="ltr">She explained that growing up, women are told to keep an eye out for any danger such as a man staring at you for too long or following you home. </p> <p dir="ltr">“Women seem particularly interested in the intricacies of the criminal mind,” she told The Daily Mail. </p> <p dir="ltr">“There is a real drive to understand the 'why', not just the 'how' of the crime.”</p> <p dir="ltr">Claire Bord, a publisher at Bookouture concurred with Dr Shaw’s statement explaining how easy it was for women to “resonate” with the situation.</p> <p dir="ltr">“These kind of storylines tap into dark themes that resonate with readers because we can see ourselves in these everyday scenarios and then imagine what could happen,” she said.</p> <p dir="ltr">“I also think there are aspects of the dark themes explored in psychological thrillers, and indeed true crime, that can speak deeply to readers who have experienced difficult times in their own lives.”</p> <p dir="ltr"><em>Image: Shutterstock</em></p>

Mind

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“How to Murder Your Husband” author convicted for murdering husband

<p dir="ltr">An author who wrote an essay about “How to Murder Your Husband” has been convicted of murdering her husband.</p> <p dir="ltr">Nancy Crampton Brophy, 71, was found guilty on Wednesday of second-degree murder for shooting dead her chef husband Daniel Brophy, 63, back in June 2018. </p> <p dir="ltr">Prosecutors told the court that Crampton Brophy killed her husband to claim her husband’s $1.4 million life insurance policy. </p> <p dir="ltr">They said that she was collecting gun pieces in the moments leading to Daniel’s death before killing him at the Oregon Culinary Institute. </p> <p dir="ltr">Footage presented to the Multnomah County courtroom showed that Crampton Brophy in fact owned the same make and model of the gun that killed her husband.</p> <p dir="ltr">She was also seen driving to and from the culinary institute when Daniel was killed and found by his students. </p> <p dir="ltr">Her defence team argued that she was collecting them for a new book she was writing - about a woman who slowly collected gun parts to complete a weapon and get back at her abusive husband.</p> <p dir="ltr">They said that Crampton Brophy and Daniel were in a loving relationship for almost 25 years. </p> <p dir="ltr">The jury of five men and seven women deliberated the case for eight hours before delivering the guily verdict.</p> <p dir="ltr">One of Crampton Brophy’s attorneys, Lisa Maxfield said they are looking to appeal.</p> <p dir="ltr">Crampton Brophy is due to be sentenced on June 13.</p> <p dir="ltr"><em>Images: Twitter</em></p>

Legal